27. Mughal Art, Culture and Religion47 questions
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27. Mughal Art, Culture and Religion

47 questions
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1. Which Mughal ruler commenced the palace-cum-fort complex at Fatehpur Sikri in 1572?
2. In how many years was the Fatehpur Sikri complex completed?
3. The Buland Darwaza was built by Akbar to commemorate his victory in which region?
4. The half-dome portal style used in the Buland Darwaza was borrowed from which country?
5. The decorative technique of inlaying walls with floral designs of semi-precious stones is known as:
6. Under which ruler did the practice of building entirely in marble with pietra dura decoration begin, though it became popular under his successor?
7. Humayun's tomb, considered a precursor of the Taj Mahal, was built at Delhi towards the beginning of whose reign?
8. The architectural device that enabled a bigger dome to be built with a smaller one inside it, first seen in Humayun's tomb, is called:
9. The Moti Masjid, built entirely in marble like the Taj Mahal, is located in which fort?
10. The Jama Masjid at Delhi, noted for its lofty gate and slender minarets, was built by:
11. Consider the following statements regarding Sher Shah's contribution to architecture: (I) He built a famous mausoleum at Sasaram in Bihar. (II) He built a mosque in the old fort at Delhi. (III) His buildings mark the climax of Mughal architecture. Which of the above is/are correct?
12. The Golden Temple (Harmandir) of the Sikhs at Amritsar was built on which architectural principle?
13. Which Mughal fort, built in red sandstone, was the most famous fort constructed by Akbar?
14. The climax of Mughal fort-building was reached at Delhi with the construction of:
15. Two master painters who accompanied Humayun to India from the court of the Shah of Iran established a painting workshop under whose reign?
16. Which two painters are named as famous artists of Akbar's court?
17. Mughal painting reached its climax under which ruler, known for his discriminating eye?
18. Which painter was particularly renowned for portrait painting and paintings of animals under Jahangir?
19. European painting was introduced at the Mughal court by Portuguese priests during whose reign, leading to the adoption of the principle of foreshortening?
20. Consider the following statements about painting under Aurangzeb: (I) He took great personal interest in patronising court painters. (II) His lack of interest led to a dispersal of artists to other parts of the country. (III) This dispersal helped develop painting in Rajasthan and the Punjab hills. Which of the above is/are correct?